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《恩培多克勒之死》劇情介紹
由達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布執(zhí)導(dǎo)、匯聚威廉姆·伯格,Georg,Brintrup,霍華德·沃儂等優(yōu)秀演員陣容的恩培多克勒之死,將1987 年度其它 語(yǔ)系與 法國(guó) 文化完美交融,帶來(lái)一場(chǎng)與眾不同的視覺(jué)和聽(tīng)覺(jué)盛宴。
值得一提的是,該片在上映后迅速收獲了平均分更是高達(dá)10.0。這都印證了影片優(yōu)秀品質(zhì)與廣泛認(rèn)可度。
影片所呈現(xiàn)的The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedo僅僅是個(gè)引子,真正的故事魅力還需從The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.中細(xì)細(xì)品味——不論是扣人心弦的劇情設(shè)計(jì),還是對(duì)于人性、情感、社會(huì)話題的探討,都給人留下頗為深刻的印象。同時(shí),導(dǎo)演在幕后方面也注入了大量巧思,讓整部作品更加耐人尋味。
如果你對(duì)電影 或 劇情 題材情有獨(dú)鐘,《恩培多克勒之死》無(wú)疑是一個(gè)不容錯(cuò)過(guò)的選擇。歡迎走進(jìn)它的世界,感受時(shí)長(zhǎng)約的宏大篇章,在這里,你將邂逅驚喜、震撼與思考。
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